Wigmore Hall
Piano recitals, song and chamber ensembles are the focus at this Marylebone concert hall, with lunchtime and evening programmes throughout the season.
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Piano recitals, song and chamber ensembles are the focus at this Marylebone concert hall, with lunchtime and evening programmes throughout the season.
MF Robots brings Dawnn Joseph and the live band to Village Underground, with Abi Clarke announced for DJ duties around the performance.
Filmmaker Sam Green and composer Caroline Shaw bring a live orchestral film experience to the Barbican, with writing by Rebecca Solnit.
Yuja Wang plays Prokofiev’s Third Piano Concerto in a programme framed by Night on the Bare Mountain and a suite from Swan Lake.
Antonio Pappano conducts Mahler’s Second Symphony and the UK premiere of Dai Fujikura’s Amber Alchemy, with the London Symphony Chorus.
Large-scale gigs and live entertainment occupy Troxy’s Art Deco hall on Commercial Road, east of the central concert circuit.
Antonio Pappano introduces and conducts Bruckner’s final symphony in an early-evening Half Six Fix at the Barbican.
EartH brings a tiered theatre, a standing hall and smaller gathering spaces together for live music, club nights and festivals in Dalston.
Sheku Kanneh-Mason joins Antonio Pappano for Edmund Finnis’s Cello Concerto, followed by Bruckner’s Ninth Symphony.
A Camden High Street live venue for touring bands and club events, immediately useful when an evening is built around a particular gig.
Fleur Barron performs the world premiere of Hannah Kendall’s I have discovered the secret of death, alongside Liadov and Tchaikovsky.
Brixton’s former cinema hosts concerts and electronic music nights, with a programme that moves between live performance and late dancing.
Bertrand Chamayou plays Adès’s In Seven Days in a programme that also includes Per Nørgård’s Dream Play and Sibelius’s Fifth Symphony.
The restored Camden theatre hosts live bands, jazz evenings and electronic nights beneath its balconies, with different formats across the week.
Soprano Anna Dennis and the London Symphony Chorus join Thomas Adès for a programme moving between Sibelius, Saariaho and his own music.
The Gaunt Street club remains a destination for dance-music nights built around DJs, promoters and a multi-room sound experience.
Susanna Mälkki introduces Steve Reich’s Three Movements and Music for Ensemble & Orchestra in a compact early-evening celebration.
A focused Brixton dancefloor where DJ residencies and longer sets shape the night, with a no-camera approach to the room.
Five works trace different scales of Steve Reich’s writing, from Music for Pieces of Wood to the larger forces of Music for Ensemble & Orchestra.
A Hackney terrace and indoor club make Night Tales work for an early drink that develops into a longer night of music.
Saxophone, vocals and orchestra meet as Soweto Kinch revisits The Black Peril, White Juju and Soundtrack to the Apocalypse.
Live music and club programming occupy an intimate railway-arch venue in the London Bridge area, within the wider Rae’s complex.
Antonio Pappano pairs Vaughan Williams’s A Pastoral Symphony with Symphony No 8 in an early-evening concert with introductions.
The Cause’s current Dock Road home hosts electronic music and community-led nightlife in east London, with nights that can spread across several spaces.