OCBA: Jornadas INBAL–SACM
Music by Soto Millán and Ladrón de Guevara closes the OCBA's listed season.
The Mexico City edit
The latest additions to our selection. Recently added does not mean newly opened.
Music by Soto Millán and Ladrón de Guevara closes the OCBA's listed season.
Electronic sound and collective movement meet in the Mexico 2026 version.
Viola and double bass share the foreground in Programme 9.
Mozart's violin concerto leads into Strauss' Also sprach Zarathustra.
Raphaël Pichon brings Pygmalion's period instruments and voices to Bellas Artes.
Several stages turn Centro Cultural del Bosque into a full performing-arts destination.
Mercado Roma makes a shared meal easy when everyone wants something different.
Opera, dance and orchestral music animate the Palacio de Bellas Artes after a day in the Centro.
Cello virtuosity and Mahler mark a reopening and several university anniversaries.
Cello and piano remember Pablo Casals, 150 years after his birth.
A classical-piano degree performance opens its doors to listeners.
Frontón and family memory become a reflection on masculinity.
Researchers and cultural practitioners discuss who museums reach and how.
Frances Rings' choreography brings an Indigenous Australian perspective to Cervantino.
A disc presentation becomes an evening devoted to Manuel M. Ponce.
The Coro de Madrigalistas joins the orchestra for its December season finale.
Flamenco and dance theatre carry the Gades and Saura version of Carmen.
A working music school opens parts of its programme to public listeners at the Conservatorio Nacional.
Textiles, ceramics and carved objects turn La Ciudadela into a patient browsing stop.