Robert Wilson: Moby Dick
Melville’s white whale becomes music theatre through Robert Wilson’s visual staging and Anna Calvi’s score.
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Melville’s white whale becomes music theatre through Robert Wilson’s visual staging and Anna Calvi’s score.
TOKiMONSTA leads SHFT’s first Made It Dance night at Reactor, with local selectors across the programme.
A Yue opera about Fan Zhongyan’s exile puts public duty, corruption and moral conviction into conflict.
Karaoke, architecture and ritual connect two installations in Wong Kit Yi’s Rockbund Art Museum exhibition.
Ten dancers bring aerial movement and close physical contact to a work about memory and absence.
Contemporary art moves through courtyards, gardens and interior spaces at Amanyangyun in Minhang.
Sichuan’s historic routes inspire a dance drama linking mountain passes, waterworks and cultural memory.
Zhang Meng brings drawing, artist books, sound and textiles together in a presentation spanning ten years of work.
Excerpts from Swan Lake, Spartacus and other classical ballets form a concentrated Bolshoi programme.
Xu Lishuang turns everyday actions, industrial objects and spatial movement into an exhibition at ShanghART M50.
Martha Argerich, Maxim Vengerov and Steven Isserlis lead two evenings of chamber music.
Han Qian follows hidden histories through video, sound and objects at ShanghART SUHE.
A late-Ming scholar’s refusal to abandon his principles becomes the centre of a Fujian Min opera.
Jewellery and contemporary art meet in an exhibition about colour on the second floor of the Power Station of Art.
Two dancers revive the close turns and mutual support of Italy’s Polka Chinata tradition.
Hu Jieming’s media-art practice becomes an exhibition of works, documents and fragments on Duolun Road.
Verdi’s Aida comes to the new Shanghai Grand Opera House in a Mariinsky production conducted by Gergiev.
Seven artists explore painting, abstraction and value in a free exhibition at ICA at NYU Shanghai.
A tilting, rotating platform turns the search for balance into the central action of this physical performance.
A free series at ICA at NYU Shanghai invites small groups to look closely at one painting and discuss what they see.
Shanghai Opera House revisits a 1959 dance drama set around the city’s 1853 Small Swords Society uprising.
Artists and curators bring the questions raised by ICA’s painting study groups into a free afternoon conversation.
Cameras, frames and performers of different ages put beauty and ageing under scrutiny in Gob Squad’s theatre project.
How?well, Yang Bing and Jeff Chong share an overnight house session at Heim on Changle Road.