Trees: Live in Concert
Filmmaker Sam Green and composer Caroline Shaw bring a live orchestral film experience to the Barbican, with writing by Rebecca Solnit.
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Filmmaker Sam Green and composer Caroline Shaw bring a live orchestral film experience to the Barbican, with writing by Rebecca Solnit.
Movement, sound and herbal rituals turn the Barbican Conservatory into a space for exploring Black ecology and collective wellbeing.
Yuja Wang plays Prokofiev’s Third Piano Concerto in a programme framed by Night on the Bare Mountain and a suite from Swan Lake.
A programme of unusual urban short films moves between London, Dhaka, Brooklyn and Sheffield at Barbican Cinema 3.
Antonio Pappano conducts Mahler’s Second Symphony and the UK premiere of Dai Fujikura’s Amber Alchemy, with the London Symphony Chorus.
Pam Tanowitz, Caroline Shaw and Sarah Crowner revisit Beethoven’s pastoral world through choreography, new music and painted landscapes.
Antonio Pappano introduces and conducts Bruckner’s final symphony in an early-evening Half Six Fix at the Barbican.
Shakespeare’s tragedy meets a reworked Radiohead score in a theatrical production with actors and live musicians.
Sheku Kanneh-Mason joins Antonio Pappano for Edmund Finnis’s Cello Concerto, followed by Bruckner’s Ninth Symphony.
A visit to a boyfriend’s funeral becomes a confrontation with secrecy, desire and violence in this Portuguese-language stage production.
Fleur Barron performs the world premiere of Hannah Kendall’s I have discovered the secret of death, alongside Liadov and Tchaikovsky.
More than 60 works invite a slow look at white paint, square supports, brushwork and the way a painting occupies a room.
Bertrand Chamayou plays Adès’s In Seven Days in a programme that also includes Per Nørgård’s Dream Play and Sibelius’s Fifth Symphony.
The Curve becomes a changing environment of light, sound and kinetic sculpture in Yuko Mohri’s free exhibition.
Soprano Anna Dennis and the London Symphony Chorus join Thomas Adès for a programme moving between Sibelius, Saariaho and his own music.
Four films introduce the work of William Greaves in an evening screening at Barbican Cinema 3.
Susanna Mälkki introduces Steve Reich’s Three Movements and Music for Ensemble & Orchestra in a compact early-evening celebration.
Books meet music and spoken word in a day featuring Candice Carty-Williams, Corinne Bailey Rae, Wretch 32 and the Black Poetry Shutdown.
Five works trace different scales of Steve Reich’s writing, from Music for Pieces of Wood to the larger forces of Music for Ensemble & Orchestra.
Yotam Ottolenghi brings Simple Too to the Barbican Hall for an evening of conversation and live cooking.
Saxophone, vocals and orchestra meet as Soweto Kinch revisits The Black Peril, White Juju and Soundtrack to the Apocalypse.
Blindboy takes his podcast into the Barbican Hall for a live evening with a surprise guest.
Antonio Pappano pairs Vaughan Williams’s A Pastoral Symphony with Symphony No 8 in an early-evening concert with introductions.
Fran Lebowitz brings her observations on cities, culture and everyday behaviour to a conversation at the Barbican Hall.