The New York edit
Our concert selection is taking shape. Shows appear here once their details are checked.
This is our growing New York selection. Follow each listing for checked practical information and the official source.
Unsound brings three distinct approaches to experimental performance into one evening: FUJI|||||||||||TA with Ka Baird, an audiovisual set from Actress, and Team Rolfes' Mustang Speedrun. Expect sound, live visuals and virtual-performance techniques.
Two Polish-American collaborations share an Unsound bill. claire rousay and Martyna Basta present hotel room, while Keith Giant Claw Rankin and Julek ploski bring their audiovisual work CONTROL FREAK.
Kentucky rapper suhREEtah makes her Lincoln Center debut after finding a wider audience through jazz-inflected performance clips. Her work connects music, movement and the experience of growing up Black in Appalachia.
Hania Rani performs Non-Fiction with Sinfonia Varsovia, joined by Valentina Magaletti and Jack Wyllie. The Unsound evening also includes Polish group Księżyc revisiting the material of its 1996 debut.
Aja Grant and Coulou lead a family-friendly sound bath and guided meditation. Synthesizers, guitar and trumpet provide a live setting for a quieter participatory visit to Lincoln Center.
Join a community choir session built around climate-themed songs, led by Ben Bram. No singing experience is needed: the programme includes new commissions associated with Climate Sing and a shared rendition of Take Me Home, Country Roads.
The New York Choral Society and Mannes Orchestra pair Tippett's A Child of Our Time with Hindemith's Mathis der Maler symphony. Both works frame music as a response to political pressure and human conflict.
Wynton Marsalis and the Metropolitan Opera's Peter Gelb discuss the ways jazz crosses artistic boundaries. Materials from the performing-arts library's collections help connect the conversation to musical history.
Trumpeter and composer Ambrose Akinmusire joins choreographer Aszure Barton for BEND. Live music and dance share the stage in a work built around tension, changing scale and the physical presence of its performers.
Topaz Jones marks ten years since Arcade with a performance connecting hip-hop, funk and soul. The New Jersey rapper, producer and filmmaker brings his multidisciplinary approach to the Atrium.
Members of the Festival Orchestra of Lincoln Center step into smaller combinations for an evening of chamber duets. A post-concert conversation adds a closer look at the musicians behind the larger ensemble.
Cuban bandleader Gerardo Contino leads a ¡VAYA! dance night inspired by the Latin music of San Juan Hill. Afro-Caribbean and jazz influences give the evening a link to the area's musical past.
A Halloween screening sends Jason Voorhees into the New York of 1989, accompanied by a new live soundtrack from DJ 2-Tone Jones. Costumes are encouraged for this horror-film edition of Beats, Rhymes & Sights.
A community ofrenda and a live set by Guachinangos bring Día de Muertos to the Atrium. Visitors can contribute copies of photographs or messages while music connects son jarocho, cumbia and other Latin American traditions.
Readings and live music revisit historian Howard Zinn's work through voices from theatre, comedy and music. Announced participants include Wallace Shawn, Jessica Hecht, Arian Moayed, Hari Kondabolu and Staceyann Chin.
Chile's Silencio Blanco brings paper puppets to life in an interactive performance about play and childhood. Everyday materials become expressive characters, making this a thoughtful choice for a family theatre outing.
ALBA Musik places flamenco singing, guitar and dance in conversation with contemporary songwriting. Bárbara Martínez and Albert Alabedra lead the New York collective through a programme rooted in the form's traditions.
Violinist Nemanja Radulović and Double Sens bring their chamber-orchestra approach to Beethoven and Bach. The programme reworks the Kreutzer Sonata for strings and includes Bach's Chaconne and a reconstructed violin concerto.
The American Classical Orchestra explores Romantic-era writing on period instruments. Berwald's Second Symphony joins Weber and Beethoven's Fourth in a programme that gives a less frequently heard symphony a prominent place.
Miranda Ferriss Jones presents The Precipice, a musical fairy tale about sisters resisting forces that would diminish their identities. Laura Benanti joins a cross-generational, predominantly female creative ensemble for its New York premiere.
Ithaca College's students take over Alice Tully Hall for an evening spanning wind ensemble, orchestra, choir and jazz. It is a broad introduction to the next generation of performers and music educators.
Luisito Gómez & Calle 107 bring a New York salsa sound to the ¡VAYA! dance floor. Original music and reinterpretations share the programme, with vocalists Ordanis Castillo, Marvin Moscoso and Jason Martinez.
Jasmine Sharma's satirical play follows brown artists competing for a place in American theatre. Music by Xander Browne and direction by Asmeret Ghebremichael support a story about ambition, relationships and their costs.
Graffiti artist DAZE leads teens and young adults through tags, designs and collaborative mural making. Individual contributions come together on one larger canvas, offering a practical introduction to working as an artistic collective.
