L’altra Matilda
A royal family’s marriage plans unravel when Matilda arrives. This family production mixes romance, confusion and magic, with an age recommendation of ten and above.
The Barcelona edit
Museums, a market and open space between the appointments. Choose one anchor for the day and leave time for the journey. The linked places hold the addresses and visiting information.
A royal family’s marriage plans unravel when Matilda arrives. This family production mixes romance, confusion and magic, with an age recommendation of ten and above.
Iris and Flora must discover why the sun has stopped rising in their world. Children’s participation helps the two witches search for a solution in this family production at Teatreneu.
Manu Llari brings an audience-participation magic show to Teatreneu’s smaller café theatre. Illusion and humour share the stage, making this a close-up alternative to a large theatrical production.
Touriñán mixes personal anecdotes, fiction and Galician popular culture in a monologue tracing his life. The late performance at Teatre Borràs gives the evening a storytelling-comedy focus.
A bookseller and his apprentice must protect a shop full of stories from destruction. Peixospeixeres turns the defence of reading into a family adventure, recommended for children aged three and above.
Two very different sisters enter a pirate adventure and need the audience’s help. This Catalan-language production offers a participatory family outing, with a recommended starting age of three.
Guimerà’s story of Manelic, Marta and Sebastià returns in a small theatre setting. The conflict between desire, dependence and power gives this adaptation a clear dramatic centre.
Audience suggestions become the raw material for an evening of improvised comedy. The performers build characters and situations in real time, so returning visitors will encounter a different show.
Sala Ars condenses Lorca’s drama into a one-hour adaptation. Repression and the desire for freedom define the household, making this an intimate alternative to a large-stage classical production.
Verdi’s opera enters a virtual world in this Petit Liceu production, aimed at ages eight and above. New music and audiovisual staging give the story a contemporary, game-inspired frame.
José Sacristán revisits Fernando Fernán-Gómez’s memories in a solo tribute at the Romea. Theatre history becomes personal through stories of family, survival and the desire to find a place onstage.
A childhood memory of the story of the Woman Hen returns years later to confront grief and difference. Claudia Ramírez combines autofiction and documentary elements in a solo performance recommended from sixteen.
A fifteenth-birthday party near Buenos Aires frames Martín Rechimuzzi’s comedy about family and the limits of reason. One performer moves between characters, memories and absences; recommended from age thirteen.
A visit to a friend in a psychiatric institution becomes a journey involving four women and a planned escape. La Preferida’s musical explores friendship, imposed identities and the meaning of freedom.
Pablo and his friends face the tests set by the magician Auri. Magic, dance and theatre combine in a family production about imagination, friendship and finding the confidence to try.
A couple pretend to separate to escape holiday plans with another family. Their small deception opens up much larger tensions in a comedy about friendship, parenting and social obligation.
Three siblings meet to decide how to care for their elderly father, and old resentments resurface. Cesc Gay’s family comedy makes an apparently practical conversation the trigger for a much larger reckoning.
Two travelling herbalists encounter the creatures and stories of Catalan oral tradition. Espurna Teatre combines objects, songs and storytelling for ages five and above; advance registration is required despite free admission.
Marta Pazos directs Brecht and Weill’s sharp musical portrait of power and money, with musical direction by Dani Espasa. The Catalan production offers Spanish and English surtitles on selected Saturdays.
Juan Amodeo returns to neighbourhood memories and the unfiltered humour of his younger self. The Borràs show frames stand-up as a return to the conversations that first made him want to perform.
Join the farewell procession as Barcelona’s City Giants return from Sant Jaume to the Palau de la Virreina. This moving street event closes part of the traditional festival programme.
Cèlia Leiva leads a four-session workshop on approaching contemporary art with better questions. The course looks at varied formats and current concerns; registration and the published course fee apply.
French pyrotechnic company Fwf Concept opens the two-night International Fireworks Festival. Head towards the Espigó del Gas area for an outdoor display that makes the waterfront part of La Mercè.
China’s Fire-Show presents the second night of Barcelona’s International Fireworks Festival. The waterfront around Espigó del Gas provides the setting for a separate programme from Friday’s display.