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Haus am Waldsee looks back across eight decades of exhibition-making. The institution’s own history becomes a lens for thinking about how a place for art changes over time.
The Berlin edit
Current exhibitions with shared venue details and actual visiting hours. Start with the work that interests you, then check the current session and any separate museum admission or reservation requirements.
Haus am Waldsee looks back across eight decades of exhibition-making. The institution’s own history becomes a lens for thinking about how a place for art changes over time.
Daniel Chodowiecki’s art is considered alongside his relationship with the Huguenot congregation. The setting in the French Cathedral gives the religious and civic connections a physical context.
Photographs by Fide Struck return through the story of a Berlin suitcase. The exhibition brings a recovered body of work into view, inviting attention to the people and streets within it.
The BFF Award selection introduces emerging photographic positions from the 2025/26 edition. Treat it as a chance to compare distinct approaches within one visit.
Design education and the city meet in a display about making things for Berlin. The museum’s focus on everyday objects helps connect the designers’ work to ordinary urban life.
Human relationships with animals become the subject at Schloss Britz. The exhibition invites comparisons between familiar animal images and the human assumptions carried by them.
Iris Ulbricht works with graphic media including charcoal, graphite and ink. Her images move between recognisable subjects and unsettling imagined situations.
Zhong Kui, the demon-quelling figure of Chinese tradition, appears through painted images. The presentation offers a focused introduction to his visual role and associations.
Berlin’s airport fire brigades provide a specialist route into the city’s aviation history. The display draws on the different airport sites and the work carried out behind the scenes.
Berlin between 1910 and 1930 is approached through art made amid major social change. The exhibition connects the city’s modernist experimentation with its tensions and upheavals.
Street art and public space meet in an exhibition about how artists address the city. Look for the relationship between a work’s message and the urban setting it imagines.
Daniel Libeskind’s museum building is revisited through its architectural ideas. The exhibition adds context to the spaces visitors move through during a visit to the Jewish Museum.
Volker Kreidler’s photographs examine Chornobyl and its aftermath. The series asks visitors to consider the long duration of a disaster through the landscapes that remain.
Amer Al Akel, Pfelder and Simone Zaugg approach contested monuments through contemporary art. Their interventions move beyond simply displaying historical objects to question how remembrance is experienced.
Pietro Ruffo and Jan Bauer enter into a conversation with Piranesi and the layered city. Rome supplies a starting point for thinking about architecture as an accumulation of surfaces and histories.
Contemporary works explore how people and institutions align with one another. The setting at Centrum Judaicum brings the question into a place with its own complex civic history.
Josef Kaiser’s architecture helped shape the built environment of the GDR. Projects such as Kino International and Café Moskau provide recognisable points of connection with Berlin today.
Tyrol’s mountains appear as a cultural landscape as well as a geographical one. The exhibition looks at the meanings attached to a region often reduced to a scenic view.
Lili Yuan’s works focus attention on the natural world. The exhibition at Kulturhaus Karlshorst offers a quieter stop away from the central museum circuit.
Gülnur Mukazhanova brings layers of the present into the historic setting of Kunsthaus Dahlem. Consider the work in relation to the space and the histories carried by the building.
Migration changes the way a city looks and the way its residents understand it. Ephraim-Palais explores those shifts through Berlin’s histories of arrival and change.
Glenn Ligon’s Double America uses illuminated language and reflection to complicate a familiar national name. It is a focused encounter with the visual and political weight of a word.
A hospital bed changes both physical perspective and the balance of control. Horizontal takes that position as a starting point for looking at care and the experience of being a patient.
Ceramics are used to imagine future habits of eating and living. The exhibition treats designed objects as a way to test social possibilities, not just as finished pieces to admire.