Neue Nationalgalerie
Glass, steel and a serious afternoon with art. Let Mies van der Rohe’s building set the pace before choosing the exhibition.
The Berlin edit
Modernist architecture and museum rooms that reward a slower look. Make one exhibition the main appointment.
Glass, steel and a serious afternoon with art. Let Mies van der Rohe’s building set the pace before choosing the exhibition.
Cattelan meets the glass hall of the Neue Nationalgalerie. A major exhibition that gives the building itself a role in the encounter.
Three autumn evenings to put art before dinner. The museum’s first-Thursday programme opens the doors without an admission charge.
Fujiko Nakaya brings a changing fog sculpture into the Neue Nationalgalerie’s garden. Outdoor conditions are part of the experience, so the work may look different from one visit to the next.
Berlin between 1910 and 1930 is approached through art made amid major social change. The exhibition connects the city’s modernist experimentation with its tensions and upheavals.
Glenn Ligon’s Double America uses illuminated language and reflection to complicate a familiar national name. It is a focused encounter with the visual and political weight of a word.