Lili Yuan: The Ethereal Beauty of Nature
Lili Yuan’s works focus attention on the natural world. The exhibition at Kulturhaus Karlshorst offers a quieter stop away from the central museum circuit.
The Berlin edit
A long exhibition visit, food in Kreuzberg and a room chosen for the music. Keep tomorrow morning free. The weekend runs from Friday evening through Sunday. Find dated events first, then places to visit, tables to book and rooms to explore after dark.
Lili Yuan’s works focus attention on the natural world. The exhibition at Kulturhaus Karlshorst offers a quieter stop away from the central museum circuit.
Gülnur Mukazhanova brings layers of the present into the historic setting of Kunsthaus Dahlem. Consider the work in relation to the space and the histories carried by the building.
DISTEL turns tensions between city and country into a German-language satire programme. Language is central to the jokes, so this is best suited to an audience comfortable following German on stage.
Migration changes the way a city looks and the way its residents understand it. Ephraim-Palais explores those shifts through Berlin’s histories of arrival and change.
Glenn Ligon’s Double America uses illuminated language and reflection to complicate a familiar national name. It is a focused encounter with the visual and political weight of a word.
A hospital bed changes both physical perspective and the balance of control. Horizontal takes that position as a starting point for looking at care and the experience of being a patient.
Ades Zabel’s characters move into the world of a food truck in Mitte. The BKA production uses that setting for German-language character comedy and the tensions of a changing city.
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Twelve artistic projects mark the Jewish Museum’s anniversary through contemporary questions. Allow time for different voices and media rather than expecting a single historical narrative.
Pink Floyd’s album becomes an audiovisual presentation inside the planetarium dome. This is an album-based immersive show, not a live appearance by Pink Floyd.
Objects from Berlin’s club culture become museum evidence. The exhibition asks what can be preserved from a scene whose meaning often depends on a particular room, crowd and night.
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Spray decoration turns everyday ceramics into a study of colour and repeatable design. The Bröhan Museum’s collection provides the examples, including objects made for ordinary domestic use.
Michael Wesely layers historical views of Prenzlauer Berg with present-day photographs. The overlaps make urban change visible within a single image rather than through a simple before-and-after pair.
Carrie Mae Weems’s retrospective brings together a practice concerned with power, representation and history. Give the exhibition enough time for the relationships between images to emerge.
Stelios Kallinikou looks at the landscape around Akrotiri in Cyprus through photography and film. Ecology and the presence of military infrastructure occupy the same field of vision.
Susanne Kriemann’s photographs connect landscapes with the traces of uranium extraction. Sites in Saxony, Thuringia and Limousin place the environmental story across national borders.
Amnon David Ar’s paintings are presented in dialogue with the world of Kurt Mühlenhaupt. Everyday subjects provide a point of contact between different artistic perspectives.
The body becomes a meeting point for questions of identity and social expectation. The Georg Kolbe Museum provides a setting where those contemporary questions sit alongside a sculptural legacy.
Graduation work recognised through the Mart Stam prize comes together at the Zitadelle. Compare how young designers and artists turn individual research into a public presentation.
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Laura Bruce moves between recognisable figures and abstract structures. Pearls and Hooks gives that shifting relationship room to develop across the exhibition.
Ewa Finn and Katharina Poos bring painting into a shared exhibition at the Zitadelle. Look for the conversation between their approaches rather than treating the two positions as separate stops.
Funda Özgünaydin’s collages use animals to approach questions that also concern people. The title offers a useful starting point for considering who is allowed to speak within an image.